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1 the dome of a church
Общая лексика: купол церкви -
2 dome
1. n купол, сводskylight dome — купольный зенитный фонарь; фонарный купол
2. n купол астрономической обсерватории3. n поэт. величественное здание4. n шутл. голова, котелок5. n тех. свод6. n тех. колпак7. n тех. сухопарник8. v венчать куполом9. v возвышаться куполом10. v придавать куполообразную формуСинонимический ряд:1. arch (noun) arcade; arch; ceiling; roof; vault2. spherical covering (noun) bubble dome; bulge; clinodome; cupola; geodesic dome; macrodome; mosque or church roof; semispherical roof; spherical covering -
3 dome
1. [dəʋm] n1. 1) купол, свод2) что-л. куполообразное или дугообразноеdome lamp /light/ - плафон (в вагоне и т. п.)
3) купол астрономической обсерватории2. поэт. величественное здание3. шутл. голова, котелок4. тех.1) купол ( резервуара)2) свод ( печи)3) колпак ( цистерны)4) сухопарник ( котла; тж. steam dome)2. [dəʋm] v1. 1) венчать куполом2) возвышаться куполом2. придавать куполообразную форму -
4 church
1. n преим. церковь; храм, христианский2. n церковь; вероисповеданиеChurch of England, English Church — англиканская церковь
Broad Church — «широкая церковь»
High Church — «высокая церковь»
Low Church — «низкая церковь»
3. n разг. англиканская церковь; государственная церковь4. n разг. богослужение5. n духовенство6. a церковныйchurch member — верующий; принадлежащий к одному из вероисповеданий
7. a принадлежащий к государственной, англиканской церквиchurch folk — сторонники государственной церкви, англиканцы
8. v приводить или приносить в церковьPrince of the Church — кардинал, князь церкви
9. v совершать церковный обряд; давать молитвуСинонимический ряд:1. religious (adj.) churchly; churchmanly; ecclesiastical; religious; spiritual2. Christendom (noun) Catholicism; Christendom; Christianity; followers of Christ; pope3. house of worship (noun) basilica; cathedral; chapel; house of god; house of prayer; house of worship; mosque; place of worship; shrine; synagogue; tabernacle; temple4. organized religion (noun) affiliation; communion; congregation; connection; creed; cult; denomination; faith; organised religion; organized religion; persuasion; religion; religious order; sect5. religious rite (noun) mass; meeting; oratory; prayer; prayer meeting; religious rite; rite; ritual; sermon; service; Sunday school; worship -
5 dome
свод; купол; колпак -
6 church
ეკლესია, საყდარიthey weded/they wedded in church ჯვარი ეკლესიაში დაიწერეს.this custom / church dates back to the14th century ეს ადათი მე-14 საუკუნიდან მოდის // ეს ეკლესია მე-14 საუკუნეშია აშენებული -
7 dome
̈ɪ ̈n. ̘ˑ ˞̤ɞ↗, ɻʄɞɣ ̙ˑ ̤̈ɞ̄. ʄ ↗̏ ɻʄ ɜɜɞ ̋ɣ̘ɜ ̝ˑ ̈˞↗. ˌɞ↗ɞʄ̘, ɞ ↗ɞ ̞ˑ ̈ ˈ. ˞̤ɞ↗ ̆ʁ ̋ ʁʄ˞̘ʁ̘̃ʟ ɻʄɞɣ ̤̆ ̏̃ʟ ɞ↗̤̘ ̆ʌɻ ʁɜ˧̃ ̈ɪɪ ̈v. ̘ˑ ʄ ɜ̘̏˧ ˞̤ɞ↗ɞ↘ ̙ˑ ʄɞ̋ʄ˧̘˧ɻ̼ ˞̤ɞ↗ɞ↘ ̝ˑ ̤ʁɣ̘ʄ̘˧ ˞̤ɞ↗ɞɞɬʁ̘̋ɜ˞ʕ ʝɞʁ↘˞
1. сущ.
1) а) поэт. величественное здание б) купол;
верх, верхушка, свод (большого здания) dome of heaven Syn: cupola, big top
2) разг. 'купол', башка, голова Syn: head
3) тех. колпак steam dome
2. гл.
1) венчать куполом
2) придавать форму купола
3) возвышаться в виде купола купол, свод - the * of a church купол церкви - the onion *s of a church луковичные купола церкви что-л. куполообразное или дугообразное - spray * водяной купол (при подводном взрыве) - * roof куполообразная крыша - * lamp /light/ плафон (в вагоне и т. п.) - a * of a forehead высокий выпуклый лоб купол астрономической обсерватории величественное здание голова, котелок - * doctor врач-психиатр (техническое) купол (резервуара) (техническое) свод (печи) (техническое) колпак (цистерны) (техническое) сухопарник( котла;
тж. steam *) венчать куполом возвышаться куполом придавать куполообразную форму dome поэт. величественное здание ~ венчать куполом ~ возвышаться в виде купола ~ разг. голова, башка ~ тех. колпак;
steam dome сухопарник ~ купол;
свод;
dome of heaven поэт. небесный свод ~ купол;
свод;
dome of heaven поэт. небесный свод ~ тех. колпак;
steam dome сухопарник -
8 salt dome
геол. соляной купол -
9 stove dome
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10 hemispherical dome
полусферическая оболочка; полусферический куполEnglish-Russian dictionary on nuclear energy > hemispherical dome
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11 Brunelleschi, Filippo
SUBJECT AREA: Architecture and building[br]b. 1377 Florence, Italyd. 15 April 1446 Florence, Italy[br]Italian artist, craftsman and architect who introduced the Italian Renaissance style of classical architecture in the fifteenth century.[br]Brunelleschi was a true "Renaissance Man" in that he excelled in several disciplines, as did most artists of the Italian Renaissance of the fifteenth and sixteenth centuries. He was a goldsmith and sculptor; fifteenth-century writers acknowledge him as the first to study and demonstrate the principles of perspective, and he clearly possessed a deep mathematical understanding of the principles of architectural structure.Brunelleschi's Foundling Hospital in Florence, begun in 1419, is accepted as the first Renaissance building, one whose architectural style is based upon a blend of the classical principles and decoration of Ancient Rome and those of the Tuscan Romanesque. Brunelleschi went on to design a number of important Renaissance structures in Florence, such as the basilicas of San Lorenzo and Santo Spirito, the Pazzi Chapel at Santa Croce, and the unfinished church of Santa Maria degli Angeli.However, the artistic and technical feat for which Brunelleschi is most famed is the completion of Florence Cathedral by constructing a dome above the octagonal drum which had been completed in 1412. The building of this dome presented what appeared to be at the time insuperable problems, which had caused previous cathedral architects to shy away from tackling it. The drum was nearly 140 ft (43 m) in diameter and its base was 180 ft (55 m) above floor level: no wooden centering was possible because no trees long enough to span the gap could be found, and even if they had been available, the weight of such a massive framework would have broken centering beneath. In addition, the drum had no external abutment, so the weight of the dome must exert excessive lateral thrust. Aesthetically, the ideal Renaissance dome, like the Roman dome before it (for example, the Pantheon) was a hemisphere, but in the case of the Florence Cathedral such a structure would have been unsafe, so Brunelleschi created a pointed dome that would create less thrust laterally. He constructed eight major ribs of stone and, between them, sixteen minor ones, using a light infilling. He constructed a double-shell dome, which was the first of this type but is a design that has been followed by nearly all major architects since this date (for example Michelangelo's Saint Peter's in Rome, and Wren's Saint Paul's in London). Further strength is given by a herringbone pattern of masonry and brick infilling, and by tension chains of massive blocks, fastened with iron and with iron chains above, girding the dome at three levels. A large lantern finally stops the 50 ft (15.25 m) diameter eye at the point of the dome. Construction of the Florence Cathedral dome was begun on 7 August 1420 and was completed to the base of the lantern sixteen years later. It survives as the peak of Brunelleschi's Renaissance achievement.[br]Further ReadingPeter Murray, 1963, The Architecture of the Italian Renaissance, Batsford, Ch. 2. Howard Saalman, 1980, Filippo Brunelleschi: The Cupola of Santa Maria del Fiore, Zwemmer.Piero Sanpaolesi, 1977, La Cupola di Santa Maria del Fiore: Il Progetto: La Costruzione, Florence: Edam.Eugenio Battisti, 1981, Brunelleschi: The Complete Work, Thames and Hudson.DY -
12 Anthemios of Tralles
SUBJECT AREA: Architecture and building[br]fl. sixth century AD Tralles, Lydia, Asia Minor[br]Greek architect, geometer, mathematician and physicist.[br]Tralles was a wealthy city in ancient Greece. Ruins of the city are situated on a plateau above the present-day Turkish city of Aydin, in Asia Minor, which is near to Ephesus. In 334 BC Tralles was used as a base by Alexander the Great and later it was occupied by the Romans. After the collapse of the western half of the Roman Empire in the fifth century AD Tralles remained a part of the Byzantine Empire until its destruction in 1282. Anthemios was one of the great sons of Tralles and was probably educated in Alexandria. He is especially famed as architect (with Isodorus of Miletos) of the great Church of Santa Sophia in Istanbul. This vast building, later a Turkish mosque and now a museum, was built for the Emperor Justinian between 532 and 537 AD. It was an early and, certainly for many centuries, the largest example of pendentive construction to support a dome. This form, using the spherical triangles of the pendentives, enabled a circular-based dome to be supported safely upon piers that stood on a square plan below. It gradually replaced the earlier squinch type of structure, though both forms of design stem from Middle Eastern origins. At Santa Sophia the dome rises to 180ft (55m) above floor level and has a diameter of over 100ft (30m). Together with Isodorus, Anthemios also worked upon the Church of the Holy Apostles in Istanbul.[br]Further ReadingG.L.Huxley, 1959, Anthemius of Tralles: A Study in Later Greek Geometry, Cambridge, Mass.: Harvard University Press.Procopius, 1913, De Aedificiis, On the Buildings Constructed by the Emperor Justinian, Leipzig.Richard Krautheimer, 1965, Early Christian and Byzantine Architcture, Penguin.DY -
13 Rondelet, Jean-Baptiste
[br]b. 1734 Lyons, France d. 1829[br]French architect particularly interested in the scientific and mathematical basis of architectural structure, and who at an early date introduced reinforced concrete into supporting piers in his buildings.[br]From 1795 Rondelet was Professor at the Ecole Centrale des Travaux Publics and while there was responsible for a major treatise on building construction: this was his Traité théorique et pratique de l'art de bâtir, published in four volumes in 1802–17. From 1806 he taught at the Ecole Spéciale d'Architecture, which was soon afterwards merged with the Ecole Polytechnique. It was when Rondelet took over the work of com-pleting the Panthéon in Paris, after the death of Jacques-Germain Soufflot, that he had the opportunity of putting some of his particular structural ideas into practice. In 1755 the King had appointed Soufflot architect of the great new church to be dedicated to the patron saint of the city, Sainte Geneviève. In this neo-classical structure based upon Greek cross plan, Soufflot intended four slender piers, each encased in three engaged columns, to support the pendentives for the dome to rise over the crossing. It was a fine and elegant building on a large scale, but by the early nineteenth century, when the church had become a pantheon, cracks were appearing in the masonry. When Rondelet succeeded as architect after Soufflot's death, he strengthened and enlarged the piers, employing a faced concrete structure reinforced with metal. He used a metalreinforced mortar with rubble aggregate.[br]BibliographyAn article by Rondelet appears in: 1989, Le Panthéon: Symbole des Révolutions, pp. 308–10 (book of the Exhibition at the Hôtel de Sully, Paris), ed. Picard, Caisse Nationale des Monuments Historiques et des Sites en France.Further ReadingM.N.Mathuset-Bandouin, 1980, "Biographie de Jean Rondelet", Soufflot et son temps, Caisse Nationale des Monuments Historiques et des Sites en France, 155ö7.DYBiographical history of technology > Rondelet, Jean-Baptiste
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14 засиять
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15 fall in
1 ნგრევა, ჩაქცევა2 დათანხმება -
16 Montferrand, Auguste Ricard de
SUBJECT AREA: Architecture and building[br]b. 1786d. 1858[br]French architect who was responsible for the rebuilding of the Cathedral of St Isaac in St Petersburg (1817–57).[br]As a young man Montferrand is believed to have spent some time working on Pierre Vignon's Church of the Madeleine in Paris. He went to Russia in the early nineteenth century, arriving in 1816 in St Petersburg, where he worked as a draughtsman. The following year a competition was held to rebuild the great Cathedral of St Isaac in the city, and Montferrand submitted a variety of eclectic designs which gained him the task of designing the cathedral. A succession of plans were prepared and altered over the years and it was 1842 before the design was finally agreed. Though French, Montferrand produced a very Russian building, immensely large and monumental and with an interior superbly rich in the variety of its materials: the monolithic columns of red Finnish granite, their capitals and bases gilded; the marbles of many colours; lapis lazuli; malachite; mosaics; paintings; and sculpture. St Isaac is a classical building on Greek cross plan with a large central dome carried on a Corinthian, colonnaded drum with smaller cupolas set around it. Below are façades with four weighty Corinthian porticoes, pedimented and sculptured. Noteworthy, and characteristic of the time, was Montferrand's masonry dome, which was supported by a framework of cast-iron girders; this was the first use of such a large-scale structure of this type in Russia.[br]Further ReadingGeorge Heard Hamilton, 1954, The Art and Architecture of Russia, Penguin, Pelican History of Art.DYBiographical history of technology > Montferrand, Auguste Ricard de
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17 Wren, Sir Christopher
SUBJECT AREA: Architecture and building[br]b. 20 October 1632 East Knoyle, Wiltshire, Englandd. 25 February 1723 London, England[br]English architect whose background in scientific research and achievement enhanced his handling of many near-intractable architectural problems.[br]Born into a High Church and Royalist family, the young Wren early showed outstanding intellectual ability and at Oxford in 1654 was described as "that miracle of a youth". Educated at Westminster School, he went up to Oxford, where he graduated at the age of 19 and obtained his master's degree two years later. From this time onwards his interests were in science, primarily astronomy but also physics, engineering and meteorology. While still at college he developed theories about and experimentally solved some fifty varied problems. At the age of 25 Wren was appointed to the Chair of Astronomy at Gresham College in London, but he soon returned to Oxford as Savilian Professor of Astronomy there. At the same time he became one of the founder members of the Society of Experimental Philosophy at Oxford, which was awarded its Royal Charter soon after the Restoration of 1660; Wren, together with such men as Isaac Newton, Robert Hooke, John Evelyn and Robert Boyle, then found himself a member of the Royal Society.Wren's architectural career began with the classical chapel that he built, at the request of his uncle, the Bishop of Ely, for Pembroke College, Cambridge (1663). From this time onwards, until he died at the age of 91, he was fully occupied with a wide and taxing variety of architectural problems which he faced in the execution of all the great building schemes of the day. His scientific background and inventive mind stood him in good stead in solving such difficulties with an often unusual approach and concept. Nowhere was this more apparent than in his rebuilding of fifty-one churches in the City of London after the Great Fire, in the construction of the new St Paul's Cathedral and in the grand layout of the Royal Hospital at Greenwich.The first instance of Wren's approach to constructional problems was in his building of the Sheldonian Theatre in Oxford (1664–9). He based his design upon that of the Roman Theatre of Marcellus (13–11 BC), which he had studied from drawings in Serlio's book of architecture. Wren's reputation as an architect was greatly enhanced by his solution to the roofing problem here. The original theatre in Rome, like all Roman-theatres, was a circular building open to the sky; this would be unsuitable in the climate of Oxford and Wren wished to cover the English counterpart without using supporting columns, which would have obscured the view of the stage. He solved this difficulty mathematically, with the aid of his colleague Dr Wallis, the Professor of Geometry, by means of a timber-trussed roof supporting a painted ceiling which represented the open sky.The City of London's churches were rebuilt over a period of nearly fifty years; the first to be completed and reopened was St Mary-at-Hill in 1676, and the last St Michael Cornhill in 1722, when Wren was 89. They had to be rebuilt upon the original medieval sites and they illustrate, perhaps more clearly than any other examples of Wren's work, the fertility of his imagination and his ability to solve the most intractable problems of site, limitation of space and variation in style and material. None of the churches is like any other. Of the varied sites, few are level or possess right-angled corners or parallel sides of equal length, and nearly all were hedged in by other, often larger, buildings. Nowhere is his versatility and inventiveness shown more clearly than in his designs for the steeples. There was no English precedent for a classical steeple, though he did draw upon the Dutch examples of the 1630s, because the London examples had been medieval, therefore Roman Catholic and Gothic, churches. Many of Wren's steeples are, therefore, Gothic steeples in classical dress, but many were of the greatest originality and delicate beauty: for example, St Mary-le-Bow in Cheapside; the "wedding cake" St Bride in Fleet Street; and the temple diminuendo concept of Christ Church in Newgate Street.In St Paul's Cathedral Wren showed his ingenuity in adapting the incongruous Royal Warrant Design of 1675. Among his gradual and successful amendments were the intriguing upper lighting of his two-storey choir and the supporting of the lantern by a brick cone inserted between the inner and outer dome shells. The layout of the Royal Hospital at Greenwich illustrates Wren's qualities as an overall large-scale planner and designer. His terms of reference insisted upon the incorporation of the earlier existing Queen's House, erected by Inigo Jones, and of John Webb's King Charles II block. The Queen's House, in particular, created a difficult problem as its smaller size rendered it out of scale with the newer structures. Wren's solution was to make it the focal centre of a great vista between the main flanking larger buildings; this was a masterstroke.[br]Principal Honours and DistinctionsKnighted 1673. President, Royal Society 1681–3. Member of Parliament 1685–7 and 1701–2. Surveyor, Greenwich Hospital 1696. Surveyor, Westminster Abbey 1699.Surveyor-General 1669–1712.Further ReadingR.Dutton, 1951, The Age of Wren, Batsford.M.Briggs, 1953, Wren the Incomparable, Allen \& Unwin. M.Whinney, 1971, Wren, Thames \& Hudson.K.Downes, 1971, Christopher Wren, Allen Lane.G.Beard, 1982, The Work of Sir Christopher Wren, Bartholomew.DY -
18 vault
vo:lt
I noun1) ((a room, especially a cellar, with) an arched roof or ceiling: the castle vaults.) sótano; bodega2) (an underground room, especially for storing valuables: The thieves broke into the bank vaults.) cámara acorazada3) (a burial chamber, often for all the members of a family: He was buried in the family vault.) panteón; (en la iglesia) cripta•- vaulted
II
1. noun(a leap aided by the hands or by a pole: With a vault he was over the fence and away.)
2. verb(to leap (over): He vaulted (over) the fence.) saltartr[vɔːlt]1 (ceiling) bóveda2 (in bank) cámara acorazada4 (cellar) sótano; (for wine) bodega————————tr[vɔːlt]1 saltar1 saltar1 (gymnastics) salto\SMALLIDIOMATIC EXPRESSION/SMALLvaulting horse potrovaulting pole pértigavault ['vɔlt] vileap: saltarvault n1) jump: salto mpole vault: salto de pértiga, salto con garrocha2) dome: bóveda f3) : bodega f (para vino), bóveda f de seguridad (de un banco)4) crypt: cripta fv.• abovedar v.• saltar v.n.• bodega s.f.• bóveda (Arquitectura) s.f.• cripta s.f.• cámara acorazada (Banca) s.f.• salto s.m.• trompa s.f.• tumba s.f.vɔːlt
I
1)a) ( basement) sótano mwine vault — bodega f, cava f
b) ( strongroom)bank vault — cámara f acorazada, bóveda f de seguridad (AmL)
c) ( crypt) cripta f2) ( Archit) bóveda f
II
1.
intransitive verb saltar ( apoyándose en algo)
2.
vt saltar
I
[vɔːlt]N (Archit) bóveda f ; (=cellar) sótano m ; (for wine) bodega f ; [of bank] cámara f acorazada; (=tomb) panteón m ; [of church] cripta ffamily vault — panteón m familiar
vault of heaven — bóveda f celeste
II [vɔːlt]1.N salto mat one vault, with one vault — de un solo salto
2.VI saltarto vault over a stream — cruzar un arroyo de un salto, saltar un arroyo
3.VT saltar* * *[vɔːlt]
I
1)a) ( basement) sótano mwine vault — bodega f, cava f
b) ( strongroom)bank vault — cámara f acorazada, bóveda f de seguridad (AmL)
c) ( crypt) cripta f2) ( Archit) bóveda f
II
1.
intransitive verb saltar ( apoyándose en algo)
2.
vt saltar -
19 fuera
Del verbo ir: ( conjugate ir) \ \
fuera es: \ \1ª persona singular (yo) imperfecto(1) subjuntivo3ª persona singular (él/ella/usted) imperfecto(1) subjuntivoDel verbo ser: ( conjugate ser) \ \
fuera es: \ \1ª persona singular (yo) imperfecto(1) subjuntivo3ª persona singular (él/ella/usted) imperfecto(1) subjuntivoMultiple Entries: fuera ir ser
fuera adverbio 1a) (lugar, parte) Latin American Spanish also usescomeremos fuera ( en el jardín) we'll eat outside; ( en un restaurante) we'll eat out; aquí fuera se está muy bien it's very nice out here; se pasa el día fuera she's out all day (del lugar de trabajo, de la ciudad, etc) away 2 ocurrió fuera del edificio it happened outside the building; fuera de peligro/lugar out of danger/place; ¡fuera (de aquí)! get out (of here)!◊ fuera de eso, me encuentro bien apart o (AmE) aside from that, I feel fine3 ( en otras locs):◊ fuera de combate: lo dejó fuera de combate (Dep) he knocked him out;fuera de serie ‹jugador/cantante› exceptional, outstanding; fuera de sí: estaba fuera de sí he was beside himself; fuera de temporada out of season
ir ( conjugate ir) verbo intransitivo 1 iban a caballo/a pie they were on horseback/on foot; fuera por mar to go by sea; ¡Fernando! — ¡voy! Fernando! — (just) coming! o I'll be right there!; el fuera y venir de los invitados the coming and going of the guests; vamos a casa let's go home; ¿adónde va este tren? where's this train going (to)?; fuera de compras/de caza to go shopping/hunting; ya vamos para allá we're on our way; ¿por dónde se va a …? how do you get to …?; fuera por or (Esp) a por algo/algn to go to get sth/sb; voy (a) por pan I'm going to get some bread ya va al colegio she's already at school 2 ( expresando propósito) fuera a + inf:◊ ¿has ido a verla? have you been to see her?;ve a ayudarla go and help her; ver tb fuera v aux 1 3 (al arrojar algo, arrojarse):◊ tírame la llave — ¡allá va! throw me the key — here you are o there you go!;tírate del trampolín — ¡allá voy! jump off the board! — here I go/come! 4 [ comentario]: eso va por ti también that goes for you too, and the same goes for you 1 (+ compl) ( sin énfasis en el movimiento): ¿van cómodos? are you comfortable?; íbamos sentados we were sitting down; vas muy cargada you have a lot to carry; yo iba a la cabeza I was in the lead 2 ( refiriéndose al atuendo): voy a fuera de Drácula I'm going to go as Dracula; iba de verde she was dressed in green 3 ( en calidad de) fuera de algo to go (along) as sth; 1 [camino/sendero] ( llevar) fuera a algo to lead to sth, to go to sth 2 (extenderse, abarcar): el período que va desde … hasta … the period from … to … 1 (marchar, desarrollarse):◊ ¿cómo va el nuevo trabajo? how's the new job going?;va de mal en peor it's going from bad to worse; ¿cómo te va? how's it going?, how are things? (colloq), what's up? (AmE colloq); ¿cómo les fue en Italia? how was Italy?, how did you get on in Italy?; me fue mal/bien en el examen I did badly/well in the exam; ¡que te vaya bien! all the best!, take care!; ¡que te vaya bien (en) el examen! good luck in the exam 2 ( en competiciones):◊ ¿cómo van? — 3-1 what's the score? — 3-1;voy ganando yo I'm ahead, I'm winning 3 ( en el desarrollo de algo):◊ ¿por dónde van en historia? where have you got (up) to in history?;¿todavía vas por la página 20? are you still on page 20? 4 ( estar en camino):◊ ¡vamos para viejos! we're getting on o old!;va para los cincuenta she's going on fifty; ya va para dos años que … it's getting on for two years since … 5 (sumar, hacer): con este van seis six, counting this one 6 ( haber transcurrido): en lo que va del or (Esp) de año/mes so far this year/month 1 ( deber colocarse) to go;◊ ¿dónde van las toallas? where do the towels go?;¡qué va! (fam): ¿has terminado? — ¡qué va! have you finished? — you must be joking!; ¿se disgustó? — ¡qué va! did she get upset? — not at all!; vamos a perder el avión — ¡qué va! we're going to miss the plane — no way! 2a) ( combinar) fuera con algo to go with sthb) (sentar bien, convenir) (+ me/te/le etc):te fueraá bien un descanso a rest will do you good 3 (Méx) (tomar partido por, apoyar) fuerale a algo/algn to support sth/sb; 1◊ vamosa) (expresando incredulidad, fastidio):◊ ¡vamos! ¿eso quién se lo va a creer? come off it o come on! who do you think's going to believe that?b) (intentando tranquilizar, animar, dar prisa):◊ vamos, mujer, dile algo go on, say something to him;¡vamos, date prisa! come on, hurry up!c) (al aclarar, resumir):◊ eso sería un disparate, vamos, digo yo that would be a stupid thing to do, well, that's what I think anyway;vamos, que no es una persona de fiar basically, he's not very trustworthy; es mejor que el otro, vamos it's better than the other one, anyway 2◊ vayaa) (expresando sorpresa, contrariedad):◊ ¡vaya! ¡tú por aquí! what a surprise! what are you doing here?;¡vaya! ¡se ha vuelto a caer! oh no o (colloq) damn! it's fallen over again!b) (Esp) ( para enfatizar):◊ ¡vaya cochazo! what a car!fuera v aux fuera a + inf: 1a) (para expresar tiempo futuro, propósito) to be going to + inf;va a hacer dos años que … it's getting on for two years since …b) (en propuestas, sugerencias):◊ vamos a ver ¿cómo dices que te llamas? now then, what did you say your name was?;bueno, vamos a trabajar all right, let's get to work 2 (al prevenir, hacer recomendaciones): cuidado, no te vayas a caer mind you don't fall (colloq); lleva el paraguas, no vaya a ser que llueva take the umbrella, in case it rains 3 ( expresando un proceso paulatino): ya puedes fuera haciéndote a la idea you'd better get used to the idea; la situación ha ido empeorando the situation has been getting worse and worse irse verbo pronominal 1 ( marcharse) to leave;◊ ¿por qué te vas tan temprano? why are you leaving o going so soon?;vámonos let's go; bueno, me voy right then, I'm taking off (AmE) o (BrE) I'm off; no te vayas don't go; vete a la cama go to bed; se fue de casa/de la empresa she left home/the company; vete de aquí get out of here; se han ido de viaje they're away, they've gone away 2 (consumirse, gastarse):◊ ¡cómo se va el dinero! I don't know where the money goes!;se me va medio sueldo en el alquiler half my salary goes on the rent 3 ( desaparecer) [mancha/dolor] to go; (+ me/te/le etc)◊ ¿se te ha ido el dolor de cabeza? has your headache gone?4 (salirse, escaparse) [líquido/gas] to escape;◊ se le está yendo el aire al globo the balloon's losing air o going down5 (caerse, perder el equilibrio) (+ compl):◊ fuerase de boca/espaldas to fall flat on one's face/back;me iba para atrás I was falling backwards; frenó y nos fuimos todos para adelante he braked and we all went flying forwards
ser ( conjugate ser) cópula 1 ( seguido de adjetivos) to be◊ ser expresses identity or nature as opposed to condition or state, which is normally conveyed by estar. The examples given below should be contrasted with those to be found in estar 1 cópula 1 es bajo/muy callado he's short/very quiet;es sorda de nacimiento she was born deaf; es inglés/católico he's English/(a) Catholic; era cierto it was true; sé bueno, estate quieto be a good boy and keep still; que seas muy feliz I hope you'll be very happy; (+ me/te/le etc) ver tb imposible, difícil etc 2 ( hablando de estado civil) to be; es viuda she's a widow; ver tb estar 1 cópula 2 3 (seguido de nombre, pronombre) to be; ábreme, soy yo open the door, it's me 4 (con predicado introducido por `de'): soy de Córdoba I'm from Cordoba; es de los vecinos it belongs to the neighbors, it's the neighbors'; no soy de aquí I'm not from around here 5 (hipótesis, futuro): ¿será cierto? can it be true? verbo intransitivo 1b) (liter) ( en cuentos):◊ érase una vez … once upon a time there was …2a) (tener lugar, ocurrir):¿dónde fue el accidente? where did the accident happen?b) ( en preguntas):◊ ¿qué habrá sido de él? I wonder what happened to o what became of him;¿qué es de Marisa? (fam) what's Marisa up to (these days)? (colloq); ¿qué va a ser de nosotros? what will become of us? 3 ( sumar):◊ ¿cuánto es (todo)? how much is that (altogether)?;son 3.000 pesos that'll be o that's 3,000 pesos; somos diez en total there are ten of us altogether 4 (indicando finalidad, adecuación) fuera para algo to be for sth; ( en locs) ¿cómo es eso? why is that?, how come? (colloq); como/cuando/donde sea: tengo que conseguir ese trabajo como sea I have to get that job no matter what; hazlo como sea, pero hazlo do it any way o however you want but get it done; el lunes o cuando sea next Monday or whenever; puedo dormir en el sillón o donde sea I can sleep in the armchair or wherever you like o anywhere you like; de ser así (frml) should this be so o the case (frml); ¡eso es! that's it!, that's right!; es que …: ¿es que no lo saben? do you mean to say they don't know?; es que no sé nadar the thing is I can't swim; lo que sea: cómete una manzana, o lo que sea have an apple or something; estoy dispuesta a hacer lo que sea I'm prepared to do whatever it takes; o sea: en febrero, o sea hace un mes in February, that is to say a month ago; o sea que no te interesa in other words, you're not interested; o sea que nunca lo descubriste so you never found out; (ya) sea …, (ya) sea … either …, or …; sea como sea at all costs; sea cuando sea whenever it is; sea donde sea no matter where; sea quien sea whoever it is; si no fuera/hubiera sido por … if it wasn't o weren't/hadn't been for … ( en el tiempo) to be;◊ ¿qué fecha es hoy? what's the date today?, what's today's date;serían las cuatro cuando llegó it must have been (about) four (o'clock) when she arrived; ver tb v impers fuera v impers to be; fuera v aux ( en la voz pasiva) to be; fue construido en 1900 it was built in 1900 ■ sustantivo masculino 1◊ fuera humano/vivo human/living beingb) (individuo, persona):2 ( naturaleza):
fuera adverbio
1 (en/hacia la parte exterior) outside, out: fuera hacía mucho calor, it was hot outside
salgamos fuera, let's go out
2 (no en el lugar habitual) out, away: comeremos fuera, we'll go out for lunch
está fuera, she's away
3 Dep fuera de juego, offside
nuestro equipo juega fuera, our team is playing away
ganaron los de fuera, the away team won
4 (sobrepasando límites prescritos) after
fuera de alcance, out of reach
fuera de horario, after hours
fuera de plazo, after the deadline (más allá) beyond, out of
fuera de mis posiblidades, beyond my means
fuera de peligro, out of danger Locuciones: estar fuera de sí, to be beside oneself
fuera de serie, extraordinary
ir
I verbo intransitivo
1 (dirigirse a un lugar) to go: ¡vamos!, let's go!
voy a París, I'm going to Paris ➣ Ver nota en go
2 (acudir regularmente) to go: va al colegio, he goes to school
van a misa, they go to church
3 (conducir a) to lead, go to: el sendero va a la mina, the path goes to the mine
esta carretera va a Londres, this road leads to London
4 (abarcar) to cover: la finca va desde la alambrada al camino, the estate extends from the wire fence to the path
las lecciones que van desde la página 1 a la 53, the lessons on pages 1 to 53
5 (guardarse habitualmente) va al lado de éste, it goes beside this one
6 (mantener una posición) to be: va el primero, he's in first place
7 (tener un estado de ánimo, una apariencia) to be: iba furioso/radiante, he was furious/radiant
vas muy guapa, you look very smart o pretty
8 (desenvolverse) ¿cómo te va?, how are things? o how are you doing?
¿cómo te va en el nuevo trabajo?, how are you getting on in your new job?
9 (funcionar) to work (properly): el reloj no va, the clock doesn't go o work
10 (sentar bien) to suit: ese corte de pelo no te va nada, that haircut doesn't suit you at all
11 (combinar) to match, go: el rojo no va con el celeste, red doesn't go with pale blue
12 (vestir) to wear
ir con abrigo, to wear a coat
ir de negro/de uniforme, to be dressed in black/in uniform
la niña irá de enfermera, the little girl will dress up as a nurse
13 fam (importar, concernir) to concern: eso va por ti también, and the same goes for you
ni me va ni me viene, I don't care one way or the other
14 (apostar) to bet: va un café a que no viene, I bet a coffee that he won't come
15 (ir + de) fam (comportarse de cierto modo) to act
ir de listo por la vida, to be a smart ass (tratar) to be about: ¿de qué va la película?, what's the film about?
16 (ir + detrás de) to be looking for: hace tiempo que voy detrás de un facsímil de esa edición, I've been after a facsimile of that edition for a long time
17 (ir + por) ir por la derecha, to keep (to the) right (ir a buscar) ve por agua, go and fetch some water (haber llegado) voy por la página noventa, I've got as far as page ninety
18 (ir + para) (tener casi, estar cercano a) va para los cuarenta, she's getting on for forty
ya voy para viejo, I'm getting old (encaminarse a) iba para ingeniero, she was studying to be an engineer
este niño va para médico, this boy's going to become a doctor
II verbo auxiliar
1 (ir + gerundio) va mejorando, he's improving
ir caminando, to go on foot
2 (ir + pp) ya van estrenadas tres películas de Almodóvar, three films by Almodovar have already been released
3 ( ir a + infinitivo) iba a decir que, I was going to say that
va a esquiar, she goes skiing
va a nevar, it's going to snow
vas a caerte, you'll fall Locuciones: a eso iba, I was coming to that
¡ahí va!, catch!
en lo que va de año, so far this year
¡qué va!, of course not! o nothing of the sort!
¡vamos a ver!, let's see!
van a lo suyo, they look after their own interests
¡vaya!, fancy that
¡vaya cochazo!, what a car!
ir a parar, to end up
ser
I sustantivo masculino
1 being: es un ser despreciable, he's despicable
ser humano, human being
ser vivo, living being
2 (esencia) essence: eso forma parte de su ser, that is part of him
II verbo intransitivo
1 (cualidad) to be: eres muy modesto, you are very modest
2 (fecha) to be: hoy es lunes, today is Monday
ya es la una, it's one o'clock
3 (cantidad) eran unos cincuenta, there were about fifty people (al pagar) ¿cuánto es?, how much is it?
son doscientas, it is two hundred pesetas Mat dos y tres son cinco, two and three make five
4 (causa) aquella mujer fue su ruina, that woman was his ruin
5 (oficio) to be a(n): Elvira es enfermera, Elvira is a nurse
6 (pertenencia) esto es mío, that's mine
es de Pedro, it is Pedro's
7 (afiliación) to belong: es del partido, he's a member of the party
es un chico del curso superior, he is a boy from the higher year
8 (origen) es de Málaga, she is from Málaga
¿de dónde es esta fruta? where does this fruit come from?
9 (composición, material) to be made of: este jersey no es de lana, this sweater is not (made of) wool
10 ser de, (afinidad, comparación) lo que hizo fue de tontos, what she did was a foolish thing
11 (existir) Madrid ya no es lo que era, Madrid isn't what it used to be
12 (suceder) ¿qué fue de ella?, what became of her?
13 (tener lugar) to be: esta tarde es el entierro, the funeral is this evening 14 ser para, (finalidad) to be for: es para pelar patatas, it's for peeling potatoes (adecuación, aptitud) no es una película para niños, the film is not suitable for children
esta vida no es para ti, this kind of life is not for you
15 (efecto) era para llorar, it was painful
es (como) para darle una bofetada, it makes me want to slap his face
no es para tomárselo a broma, it is no joke
16 (auxiliar en pasiva) to be: fuimos rescatados por la patrulla de la Cruz Roja, we were rescued by the Red Cross patrol
17 ser de (+ infinitivo) era de esperar que se marchase, it was to be expected that she would leave Locuciones: a no ser que, unless
como sea, anyhow
de no ser por..., had it not been for
es más, furthermore
es que..., it's just that...
lo que sea, whatever
o sea, that is (to say)
sea como sea, in any case o be that as it may
ser de lo que no hay, to be the limit ' fuera' also found in these entries: Spanish: alcance - balón - biruji - borda - combate - convencer - dejar - desencajada - desencajado - desentonar - desleal - desplazada - desplazado - destiempo - duda - espuela - extemporánea - extemporáneo - exterior - extraescolar - fenomenal - haber - juego - lengua - lógica - lugar - mayoría - necesaria - necesario - onda - plazo - proscrita - proscrito - quicio - revés - salir - serie - servicio - tono - única - único - afuera - anhelar - cena - comer - común - cual - desnivelado - esperar - lancha English: add to - amok - annul - around-the clock - away - beside - beyond - boot - bound - busing - care - catapult - chase away - clear - commission - control - danger - dine - distraught - dome - eat out - ex - exclude - farm out - go out - hand - here - house-sit - lest - look out - meal - misplaced - off-duty - off-limits - off-piste - off-screen - offside - one-off - ordinary - original - out - out of - out-of-bounds - outdoors - outside - outward - outwards - piste - place - play -
20 vista
n1) перспектива, вид (в кінці алеї тощо)2) алея, просіка3) перен. низка (спогадів)4) pl перен. перспективи, можливості, види (на майбутнє)vista dome — зал. салон-вагон з прозорим дахом
* * *n.1) перспектива, вид, що відкривається (наприкінці алеї, анфілади); а vista of the church spіre between the trees шпиль церкви у просвіті між деревами2) алея; просіка; boundary vista топ. просіка, що служить межею земельних ділянок; a long vista of beech trees довга букова алея; to cut а vista through a coppіce зробити просіку через гай3) низка ( спогадів); the vistas of bygone tіmes низка минулих днів; vistas of memory низка спогадів; перспективи, можливості, плани ( на майбутнє); to open up new vistas відкривати нові перспективи /обрії, можливості/
См. также в других словарях:
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